"I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask." Fleda disliked to appear not to take account of his brevity, but it was just because she was struck by it that she felt the pressure of the desire to know more. What it suggested was simply what her intelligence supplied, for he was incapable of any art of insinuation. Wasn't it at all events the rule of communication with him to say for him what he couldn't say? This truth was present to the girl as she inquired if Mona greatly resented what Mrs. Gereth had done. He satisfied her promptly; he was standing before the fire, his back to it, his long legs apart, his hands, behind him, rather violently jiggling his gloves. "She hates it awfully. In fact, she refuses to put up with it at all. Don't you see?—she saw the place with all the things."!

"I can't tell you what it is to me to feel you on my side!" Owen exclaimed. "Not a word."

At this, opening her eyes, Mrs. Gereth sprang straight up. "Get him away from her!" "They're beyond me—I give it up," said Mrs. Gereth. "If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!"